2.0) Drawing: A Brief Primer

2.1) Flow & Fit

2.2) Positive/Negative Relationships

2.3) Contrast

2.31) Color

2.32) Guest Writer Russ Abbott: Color Theory For Tattooists

2.33) Guest Writer Steve Butcher : Bringing Realistic Focus Effects Into Your Work

2.4) Priority

2.5) Reserve

2.6) Lines & Edges

2.7) Depth

2.8) Lighting & Luminosity

2.9) The Design Needs Of The Client

2.91) Guest Writer Megan Jean Morris: Process and Mindset

3.1) A Broader Perspective

3.2) Examples of Other Mediums

3.3) Surface Preparation: Building Your Foundation

3.4) Acrylic Painting: A Brief Tutorial

3.41) Rendering 3D Forms In Acrylic

3.5) Oil Painting: A Brief Tutorial

3.51) Guest Writer Nick Baxter: Sharp Focus Realism In Oil - An Excerpt

4.1) Seeing The Real Thing

4.2) Finding or Creating Our References

4.3) Doing a Tattoo From a Model, Working From a Line Stencil

4.4) Doing a Tattoo From a Model, Working From a Crosshatch Stencil

4.5) Doing a Tattoo From a Model: Working From a Freehand Drawing

4.6) Extreme Modeling: A Larger Scale Project

5.0) Basic Computing for Tattooists

5.1) A Beginner's Guide To Procreate

5.2) A Brief Adobe Photoshop Tutorial

5.21) Guest Writer Halo : Taking The Digital Leap

5.3) Using Photoshop in the Design Process: Scanning and Coloring a Drawing

5.4) Using Photoshop in the Design Process: Making a Digital Simulation of a Tattoo

5.5) Using Photoshop in the Design Process: Sizing a Drawing to a Tracing

5.6) Using Photoshop in the Design Process: Compositing Multiple Images Into One

6.0) Technique, An Overview

6.1) Design Transfer: Stenciling and Freehanding

6.11) Guest Writer Don McDonald: Working With Large Stencils

6.2) Needles

6.3) Tubes

6.4) Coil Machine Tuning

6.41) The New Wave of Rotary Machines

6.5) Traditional Machine Setup

6.6) The Stretch

6.7) Tightening and Softening

6.8) Starting a Tattoo Magnum First

6.9) Comfort and Ergonomics

7.1) Bringing It All Together

7.2) A Simple Rose

7.21) Guest Writer Phil Garcia: Attention to Detail

7.3) A 3-Hour Skull Project

7.31) Outer Space Organic Mech Tattoo

7.32) Intensive Rendering: Mind, Body, Spirit

7.4) The Sacred Heart

7.5) The Seahorse

7.6) A Difficult Spot: Neck Inferno

7.7) A Black and Gray Design

7.71) Guest Writer Nick Baxter: Working In Layers

7.8) Making Your Technique Work

8.1) Coverup Tattooing: Facts, Myths and New Understandings

8.2) Coverup Examples, Large and Small

8.3) Almost Too Good To Be True: Laser Tattoo Removal

8.4) Scar Coverups: A Next-Level Challenge

8.5) Blackwork Coverup

8.6) Incorporating Coverup Tattooing Into Your Career

9.1) Conclusion: New Horizons

10 Critical Factors for Effective Tattooing

Essential Design Compositing

Flow & Fit - Composition Fundamentals for fluid Tattoo Design

Structure

Guy's Bag of Tricks #1

Guy's Bag of Tricks #2

Tightening Part 1

Tightening Part 2a

Tightening Part 2b

Tightening Part 3

Tightening Part 4

Tightening Part 5

Coverup - A Fresh Look

Coverup the Next Level

Live Monday Exercise with Guy Aitchison 9 PM EST

Live Thursday Fundamental Exercise with Kire Franklin 7pm EST

Visual Priority Poppies

Dogwood

Lily

Depth Of Field with Tivon Creager

Blind Drawing

Bevelled Objects and Angular Solids

Dark/Light Rythym

Detail Isolation

Flow & Flexibility

Tribal Coverup

Warm/Cool Colors

Elemental Flow Part 1 - Flames

Elemental Flow Part 2 & 3 - Waves with André Malcolm

Elemental flow part 4 - atmospheric turbulence

Elemental Flow 5 - Geological Forms

Elemental Flow Part 6 - Final Project

Depth Strategies Part 1 - Overlap

Depth Strategies Part 2 - Contour

Depth Strategies Part 3 - Volume Shading

Depth Strategies Part 4 - Cast Shadows

Depth Strategies Part 5 - Priority

Depth Strategies Part 6 - Perspective

Depth Strategies Part 7 - Final Project

Color Strategies Part 1 - Naturalistic Colors

Color Strategies Part 2 - Metallic Colors

Color Strategies Part 3 - Backlighting Colors

Color Strategies Part 4 - Split Complimentary Color Schemes

Lighting Strategies Part 1 - Ambient Lighting

Lighting Strategies Part 2 - Hard Directional Lighting

Lighting Strategies Part 3 - On Camera Lighting (Night)

Lighting Strategies Part 4 - Light Rays

Lighting Strategies Part 5 - Final Project

Texture Strategies Part 1 - Stone

Texture Strategies Part 2 - Wood Grain

Texture Strategies Part 3 - Crinkle Paper

Texture Strategies Part 4 - Hair

Texture Strategies Part 5 - Reptilian Scales

Texture Strategies Part 6 - Final Project

What's In A Blob? with Jesse Smith

Contrast Strategies Part 1 - Contrast Frequency

Contrast Strategies Part 2 - Large Scale Contrast

Contrast Strategies Part 3 - Contrast Intensity

Contrast Strategies Part 4 - Texture Contrast

Anatomy Series Part 1 - Hands

Anatomy Series Part 2 - Full Body Gesture

Anatomy Series Part 3 - The Human Head

Anatomy Series Part 4 - Action Poses

Anatomy Series Part 5 - Full Human Figure

Still Life 1 - Blue Glass Vessel & Round Metal Object

Still Life 2 - Animal Skull & Yellow Flowers

Still Life 3 - Crinkled Shiny Paper & Candle Flame

Still Life 4 - Final Project Bowl Of Fruit in Ceramic Dish

Flow & Contrast 1 - Storm & Serpent

Flow & Contrast 3 - The Windmill Principle

Flow & Contrast 4 - Train & Steam

Pos/Neg Relationships & Color Week 1

Pos/Neg Relationships & Color with Guest Don McDonald

Pos/Neg Relationships: Bold & Delicate Rendering

Pos/Neg Shape Optimization: Organic Forms

Pos/Neg Differentiation

Lighting: Mutiple Sources

Live Critiques